Commended for her "meltingly beautiful" (Opera News) singing, Boston-based soprano Sarah Joyce Cooper performs year-round throughout the US. Recent performances include Pamina in Die Zauberflöte (CoOPERAtive), Countess in Le Nozze di Figaro (Savannah Voice Festival), Micaëla in Carmen (Martina Arroyo’s Prelude to Performance), Violetta in La Traviata (New York Opera Studio/ Elizabeth R. and Co.), Mimi in La Bohème (Opera Theater of Cape Cod), and Zerlina in Don Giovanni (Boston Opera Collaborative). Ms. Cooper has also appeared as a soloist with the Eastern Connecticut Symphony Orchestra, the Maryland Lyric Opera Orchestra, Convergence Ensemble, and the Radcliffe Choral Society. In 2016, she was a first-place winner of the Coeur d’Alene Symphony Young Artists Competition and the Westminster Choir College Voice Scholarship competition. Ms. Cooper also received the 2017 Colleen and Edward Carducci Encouragement Award at the Metropolitan National Council Auditions in Columbia, South Carolina. In 2018, she earned first place in The American Prize Competition’s Opera and Operetta division and Second Place in the International Talents of the World Competition in New York City. As a TOW competition prizewinner, she made her Carnegie Hall debut in a Maria Callas tribute concert. In 2019, Ms. Cooper appeared as a finalist in the George London Competition and was nominated for a Sara Tucker Study Grant from the Richard Tucker Foundation. Ms. Cooper also performed as a soloist with the Du Bois orchestra in the historic world premiere of Florence Price’s long-lost cantata, Abraham Lincoln Walks at Midnight.  Most recently, Ms. Cooper made her debut with Maryland Lyric Opera as La Charmeuse in a production of Massenet’s Thaïs.